Here’s the article
by nicholas tozier
1. Disconnect. Power down your computer–or if you absolutely need the thing for some reason related to your practice and studies, sever it from the internet by disabling wireless.
2. Banish Television. According to Nielsen, the average American watches thirty-four hours of television per week (figures in your country are likely similar). Thirty-four hours of television! You know how much time top-shelf violinists spend practicing each week? About twenty-seven hours.
Ray’s last show at the Balmoral Hotel
June 15th at the Heritage Grill, tickets are $25 available at Bonerattle Music 2012 Commercial Dr, Vancouver. Contact email@example.com for more info
Here’s a short clip from the Acoustic finger-picking Seminar with Gretsch Guitar’s Paul Pigat.
Here’s a great article by Chad Mundt. Some of these tips apply more to Bassists but most apply universally to any instrument.
25 things I Wish My Music Teacher Told Me on Day One
1) In order to master an musical concept, you must understand not only what it sounds like, but what it looks like and what it feels like.
2) If your fellow musicians can’t describe in a concrete way what you just played, then your idea either killed or flopped. Which of the two will be obvious.
3) Learning music from a book is okay, learning music from a recording is good, and learning music from a video is great, and learning music from the artist himself is optimal!
4) Harmony can be understood in two distinct ways, as color ie. hearing harmony as a thing in and of itself, or as multiple melodic lines ie. hearing each individual voice as distinct melodies. Each method has it’s own strengths, but the latter choice is more difficult to achieve and is ultimate the more powerful.
5) The piano is the single best instrument for the comprehension of music: It covers an enormous range, it is polyphonic, and has become the instrument of choice for the computer age in the form of MIDI.
6) One of the most under-practice skills in music is coordination. Coordination is musical multi-tasking; it is your ability to hear multiple freely-moving ideas all at once. Bach could improvise six-voice fugues with complex musical phrases interloping in perfect counterpoint. You should start with two simple ideas: a bassline and a melody.
7) It is better to be told to turn up than to be told to turn down.
8) Drum Machines are your friend. They don’t complain, they don’t get tired, they work for a one-time fee, and they sure beat the heck out of a metronome.
9) The most power force in music is Entrainment. Check out Barry Green’s The Mastery of Music: Ten Pathways to True Artistry to see what I mean
10) Practice habits should be just that: habits. Reinforce them with other healthy habits. Try writing out your practice plans beforehand, giving yourself a treat before or after practicing, and/or practicing at the same time everyday.
11) Make sure that you don’t practice with your sound source parallel to the walls. I very nearly quit music forever before I realized that the weird, out-of-tune noise sound that I was hearing from my trumpet bell was a strange harmonic ringing in my bedroom!
12) Most guitar and bass amplifiers have very low quality speakers factory installed. Hook your iPod to the input of your amp and sample just how poor it sounds. Some recent high-end amplifiers such as the Markbass CMD 103H Bass Combo Amps and theWarwick Hellborg Amps have good quality speakers, but they are in the minority.
13) Knowing how to get your bass to sound like a p-bass is just as important to you as learning how to sing in a falsetto is to a professional singer.
14) Whether you like it or not, playing the upright will make you a better electric bass player.
15) If you want to sound like Marcus Miller, study Louis Johnson and Larry Graham.
16) If you want to sound like Christian McBribe, study Ron Carter and Ray Brown.
17) If you want to sound like John Patitucci, listen to Anthony Jackson, Michael Brecker, and Brazilian rhythms.
18) If you are going to college for music, make sure to take advantage of other opportunities there, even if they lie outside your major. I guarantee you’ll use the information you learned in those Accounting, Marketing, and Web Development classes way more than the information you got in Atonal Harmony.
17) You should have both a mirror and a portable recorder in your practice area.
18) When practice difficult time signatures, try to feel a 2-count as short and a 3-count as long. For example, Dave Brubeck’s Take Five should be felt as long, long, short, short.
19) Putting a little compression (not too much) on your bass can do wonders for your tone. Exceptions include many single coil pickups, as the hum will be compressed along with your tone, amplifying it. But, then again, this hasn’t stopped me from pushing a Danelectro bass with single-coil Lipstick pickups pushed through my Boss CS-3.
20) You may hear of people boiling their strings to make them last longer, but don’t expect a miracle. This only works on flatwounds and it only works for maybe one show’s worth of playing before your strings are deader than ever.
21) Learn to sing harmony. Your value as a bass player has just tripled.
22) Genres of music that will never make you rich: Blues, Metal Ministry, Death-core, Big Band Swing (my heart cries for this one), Progressive Rock, anything not in 2/4, 3/4, 4/4, 6/8, or 6/8…
23) Genres of music that might make you rich: Jazz (in the form of an education), Country, 3-Chord Rock, Motown, Pop-rock, Disco, anything with a really hot lead singer…
24) If you want to find a deal on an instrument, check out pawn shops. They often have used instruments with fixable damage, ie. a broken tuner, snap-crackle-pop jack, missing knobs, etc. These instruments can be taken for a song (sorry…)
25) Tapping licks are cool, but unless you’re playing Thunderstruck in a unison line with the guitar play in front of a frat house, you’ll probably never get to use those licks on stage. I personally recommend getting that alternating plucking technique and western harmony up to 1940 mastered before you even attempt to tap.
reprinted with permission
From Captain Beefhearts Radar Station
1. Listen to the birds
That’s where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.
2. Your guitar is not really a guitar
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you’re good, you’ll land a big one.
3. Practice in front of a bush
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.
4. Walk with the devil
Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. You have to be an equal opportunity employer in terms of who you’re brining over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.
5. If you’re guilty of thinking, you’re out
If your brain is part of the process, you’re missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.
6. Never point your guitar at anyone
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.
7. Always carry a church key
That’s your key-man clause. Like One String Sam. He’s one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song “I Need a Hundred Dollars” is warm pie. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. He just stands there like the Statue of Liberty — making you want to look up her dress the whole time to see how he’s doing it.
8. Don’t wipe the sweat off your instrument
You need that stink on there. Then you have to get that stink onto your music.
9. Keep your guitar in a dark place
When you’re not playing your guitar, cover it and keep it in a dark place. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it.
10. You gotta have a hood for your engine
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can’t escape. Even a lima bean has to have a piece of wet paper around it to make it grow.
This sound advice can be found in the book Rolling Stone’s Alt-Rock-A-Rama (1996) which includes an article written by John McCormick about Moris Tepper.
“Though they bear numbers, they are not arranged heirarchically — each Commandment has equal import.”